or Image of Edessa to include scenes of the Image's early history. Owned by H.M. the Queen, this icon was formerly in the Queen's private chapel in Buckingham Palace, but is now kept at Hampton Court.

argument that awareness of a full figure imprint on the Image of Edessa very likely stretched back as early as the eighth century. Also from Rome Professor Heinrich Pfeiffer of the Gregorian University

in a paper entitled 'The History of the Image of Edessa; the telling of a story', published in Harvard University Ukrainian Studies, vol. III, 1983. In her introductory paragraph in this paper, Professor

Ronald Hill In his article on the Image of Edessa, in the Cambridge Historical Journal (1931:238-52), Steven Runciman wrote "Historians should not be so much victim to their scepticism as to dismiss

One surprise was that the hypothesis of Shroud/Edessa Image identity is now receiving much greater acceptance among Italian sindonologists than hitherto. Another was that special arrangements had been

3 Anonymous text History of the Image of Edessa. Original in Greek. Translated into English in Ian Wilson’s The Turin Shroud. 4 Zaninotto. Orvieto 2000. 5 Cambridge Medieval History, t IV. Cambridge

the Shroud with the image of Edessa presented in a thoughtful way which still allowed a measure of doubt. Likewise the issue of the carbon dating was conveyed in a very intelligent way, with some interesting

The great value of the sermon is that it shows the Image of Edessa was much more than a simple facial image – it had bloodstains on it, and also the side wound in the body of Jesus. The translation

between the Image of Edessa and the Holy Shroud. According to the most reliable hypothesis, the Mandylion was the Shroud folded in eight, to show only the face. For a comparison between the Shroud and

embellished version of the same story—Abgar and the Image of Edessa. 18 Figure 5. Passage from Cedrenus, Scriptores Byzantinae Historae, in which a miraculous cloth portraying the image (µορφη)