is alleged to have used a copy of the Edessa Image to heal his daughter of a demon. Four centuries later the Epistola Abgari (ca. A.D. 900) records a story where, after a thief had stolen the mandylion

this rich art must have been influenced by the Image of Edessa, also called the Holy Mandylion, an image of Christ ‘not-made-by-hands,’ which arrived in Constantinople on August 16th 944 AD. The 10th

The Image of Edessa Transfer from the Muslims to the Byzantines in AD 943: Sindonologica l Implications by Joseph G. Marino – Academia.edu – April 11, 2023 – Here is the introduction: “The Image

The Image of Edessa," written to bring the Shroud to a broader audience in the Middle East. In 2006 the Archbishop visited the United States and we had the pleasure of meeting in person for the first

by David Rolfe The Image of Edessa and its Progeny in Art and Spirituality - by Andrew Willie BSTS Book Reviews - by Ian Wilson A Small Cloth to be Destroyed - by Emanuela Marinelli Channel 5 Da Vinci

by Emanuela Marinelli. The second is The Image of Edessa by Mark Guscin. I also wish to extend a special word of thanks to Ian Wilson for providing us with an exclusive, in-depth Review of Mark Guscin'

literature it occurs only in association with the image of Edessa, being scarcely, therefore, an idle turn of phrase." [50] As Wilson convincingly suggests, if the Shroud of Turin were folded in this

with the Image of Edessa, or Mandylion. Life and literature thrives on such differences of opinion, and certainly from this side of the Atlantic the issue has never seemed particularly troubling. Difficulties

but also the conclusion that Leander knew the Image of Edessa was this same burial cloth. Possible support for this idea comes from the letter written by Braulio of Zaragoza, which around AD 650 mentions

is the cloth’s identification with the so-called Image of Edessa lost from Constantinople in 1204. Yet if this identification is valid it means that the Shroud spent nearly half its history in Urfa