marks on Shroud image. ! In chapter 11 of my most recent (2010) book on the Shroud I discussed the likelihood that it was our Shroud, temporarily brought to Jerusalem after an earthquake had devastated

hypothesis to my identification of the Edessa Mandylion with the Shroud. Although I do not agree with this hypothesis, I respect the writer very highly and believe it only right for members to be aware

constructing an accurate three-dimensional shroud Image, 1977 United States Conference of Research on the Turin Shroud New Mexico, USA, p.234. Editor's Note: The following is the text of a short presentation

many years of exploration of the Shroud’s facial image. At that 4 point, the presentation part of the day came to an end and, after a short break, the only scheduled Open Discussion of the event

There follows a chapter on the Mandylion of Edessa and the relics of the Passion. Then the third chapter is called 'Evangelists and Templars' which after discussion of the gospel texts on Jesus' burial

in the guise of the Mandylion of Edessa, upon Byzantine art in the cave churches of Cappadocia. Lennox Manton's knowledge of Byzantine art in Turkey is second to none and his slides were a visual treat.

August 16 944 AD, describing the full length image and the side wound on the Shroud- Mandylion. This sermon was delivered in Constantinople on the day when this arrived there from Edessa. Unfortunately,

the second during the reign of king Abgar of Edessa, who received the veil from Jesus. “As far as the imprint is concerned, the mystery stays, as for the Shroud. The images on the Shroud and the Veronica

www.raydowning.com/real-face-of-jesus/promotional-images/#previous-photo Eine 3D-Aninmation vom Jesus-Antlitz kann man sich auf dieser Webseite anschauen: http://shroud3d.com/ Wie es bereits angesprochen

started in the 1st century from the blessed city of Edessa (Urhai) where the Holy Shroud was kept till 944. We still use the same liturgy written by the Apostles Addai and Mari in Aramaic language, which